How it feels: Similar to Chess (see below), but faster and less intimidating. Move hexagonal pieces around in a connected clump made of your and your opponent’s pieces, to surround the opponent’s “Queen Bee”. It feels great to make it through a tight spot into a big open space, or to trap your opponent in her own narrow passage. How it feels: Like navigating through narrow underground passages, barely squeezing through. The trick: pieces of the same color must touch, but only at their corners, which creates spatial traps. How it works: Place as many of your tetris-like pieces on the board as you can, and prevent your opponent from placing hers. It’s also likely the most strategic game in this category.
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It has the same claustrophobic tension, and the same cathartic resolve when all is revealed in the endgame.įYI: This is my favorite in the landmark series of abstract games called the GIPF project, and one of the two most popular games from that project (the other is YINSH, which I could have put here instead of TZAAR). You’re hunting and being hunted as you run out of space to operate. How it feels: Like a strategic battle royale game. How it works: Make your opponent run out of options on her turn, by creating unassailable stacks of your pieces. Published abstracts tend to be more tactical than strategic, and most take 30 minutes or less. Though many of the best abstract games haven’t been published, some have. Rules: here Category #2: The best published modern abstract games But when you turn the tables, you’re like Houdini bursting from his shackles, moments before drowning. Sometimes she does, creating dramatic reversals of fortune. Your opponent seems always about to squirm from your clutches. The trick: pieces can move short distances after placement, creating shifting patterns of connection and disconnection. How it works: Make a chain of your pieces connecting two opposite sides of a square board, while your opponent tries to do the same for the other two sides.
How it feels: Like Japanese monsters lumbering through a city, trying to entomb each other in rubble. How it works: Eliminate your opponent’s pieces by surrounding them with impassable obstacles so they can’t move. They have a cinematic drama, like the magic tricks of a great illusionist. How it feels: At the heart of the game are sometimes breathtaking, sometimes board-spanning capture sequences. How it works: Like Checkers (see International Draughts below), you try to eliminate all your opponent pieces, by chains of jump captures. There’s a delicious satisfaction in getting to a choke-point first and making your opponent go the long way. How it feels: Like a strategic traffic jam. How it works: The players’ pieces are initially spread across a square board (see image above), and you try to be first to move yours into one connected clump.
Most of my favorites are in this category, including: Ayu For that reason, it pays to play them a while before judging them. Good unpublished abstracts tend to be more strategic and emergent than their published counterparts.
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